12:30 – 12:40 p.m.
Opening Remarks
Guy Finley, Executive Director, Content Delivery & Security Association (CDSA)
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12:40 – 12:45 p.m.
Welcome Remarks
Alex Nauda, Chief Technology Officer, SHIFT & Screeners.com
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12:45 – 1:15 p.m.
KEYNOTE: Securing the Future of Media & Entertainment
As media & entertainment accelerates its digital transformation on the back of a range of new technologies (IP, ATSC 3.0, 5G), how are policymakers and engineers planning to protect these emerging systems, and what are the new threats and vulnerabilities that increased interactivity and interconnectivity will produce?
David Simpson, Rear Admiral (Ret.), United States Navy, and (former) Chief, Public Safety and Homeland Security Bureau, Federal Communication Council
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1:15 – 1:30 p.m.
What Keeps us up at Night? A Content Sharing Vendor’s Threat Models
How will the next content leak go down? As a vendor supporting content sharing workflows that cross the boundaries between content owners and a wide variety of share recipients across the globe, we will share our latest analysis on the biggest threats and weakest links that warrant the most attention.
Alex Nauda, Chief Technology Officer, SHIFT & Screeners.com
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1:30 – 2 p.m.
Setting the Standards and Systems for Securing Media & Entertainment
Our opening session sets the stage for the afternoon’s conference agenda by highlighting both the individual work and the increased collaboration of industry associations and their members. As entertainment moves toward a more fluid, instant and “always on” infrastructure, these groups play a critical role in how we tackle these increasingly challenging workflows and distribution models, together, with a foundation of infrastructure security that speaks across all of our memberships.
Moderator: Guy Finley, Executive Director, Content Delivery & Security Association (CDSA)
Panelists:
Mark Harrison, Managing Director, Digital Production Partnership (DPP)
John Lee, Chairman, Technical Committee, North American Broadcasters Association (NABA)
Sam Matheny, Chief Technology Officer, National Association of Broadcasters (NAB)
Jason Thibeault, Executive Director, Streaming Video Alliance
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2 – 2:15 p.m.
Credential Stuffing: Attacks and Economies
Media and gaming companies are the perfect targets for cyber theft. During this session, we’ll review major credential stuffing attacks and trends that targeted media and entertainment companies over the past year, and highlight the key risks to businesses like yours.
Jef Hu, Solutions Engineer, Akamai
Patrick Sullivan, Security Manager, Akamai
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2:15 -2:30 p.m.
Looking Ahead to Next-Generation Piracy
The piracy landscape is evolving. A new generation of P2P applications with good UX, blockchain apps that provide more secure and more anonymous monetization of content, plus new challenges posed by IPV6—all offer new opportunities for pirates and new concerns for content protection. MovieLabs offers a brief look ahead into next-generation challenges for the industry.
Craig Seidel, Senior Vice President, Distribution Technology, MovieLabs
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2:30 – 2:45 p.m.
How the Weather Channel Built Digital Trust
The primary function of information security is to establish trust. Internal trust for your employees, C Suite and Board, but more importantly you have to earn the external, or “Digital Trust” of your customers and business partners. They must trust you with their sensitive information, intellectual property and in many instances much more. Without this, your business cannot innovate, differentiate and grow. See how one global media, content and analytics organization, deployed a security program thorough enough to do just that.
Michael Klint Borozan, Worldwide Security Industry Leader, IBM Security
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2:45 – 3 p.m.
Quantum Computing and the Future of Content Security
The opportunities that quantum computing holds for innovation in various industries is considerable but many don’t know what lies ahead. One focus area is encryption and security, and in particular how the entertainment industry approaches content protection in post-quantum encryption protocols. This session explains how to leverage quantum computing to provide unhackable encryption algorithms and extending this quantum technology to digital watermarking to prove authenticity, authorship, and the distribution method.
Mark Jackson, Scientific Lead of Business Development, Cambridge Quantum Computing
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3 – 3:15 p.m.
A Revolution in Digital Watermarking, Watermark Every Frame, Detect in Seconds
In this customer case study, you’ll learn how advanced forensic video watermarking technology has enabled Marco Polo to embed and detect payloads in seconds. The discussion also highlights why this was a requirement for their company, customers and business model.
Michael Gamble, Senior Vice President, Customer Service, Media Science International
James Whitebread, Chief Technology Officer, Marco Polo
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3:15 – 3:30 p.m.
NETWORKING BREAK
3:30 – 4 p.m.
KEYNOTE: Is the Media & Entertainment Industry “Critical Infrastructure”?
Since the PATRIOT Act of 2001, critical infrastructure in the United States has been defined as “systems and assets, whether physical or virtual, so vital to the United States that the incapacity or destruction of such systems and assets would have a debilitating impact on security.” In his thought-provoking keynote, Johnson discusses: (1) the cyber and disinformation threats that sophisticated nation-state intelligence services and criminal syndicates pose to modern media and entertainment, including film, radio and television, (2) why these industries might accurately be described as the “critical infrastructure” of First Amendment free expression and the public communications of our free markets and democratic government; and (3) what this tells us about the new partnerships and protections that the industry needs to defend against these threats.
Clete Johnson, Senior Fellow, Center for Strategic International Studies, (CSIS) and Partner, Wilkinson Barker Knauer
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4 – 4:15 p.m.
Securing Next Gen TV
The current work on the ATSC 3.0 next-generation broadcast standard is meant to use advanced transmission and video/audio coding techniques to bring new and creative services to viewers. Conditional access and digital rights management (DRM) are core capabilities of this new TV system. How else are broadcast engineers and business officers hardening this new standard to provide a more secure, accountable system for content owners and their distribution partners.
Peter Van Peenen, Technology Consultant, Pearl TV
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4:15 – 4:30 p.m.
Get it to the Cloud (Evolving Your Edit Pipeline)
You used to be able to air-gap your edit bay, but the scale and volume of content means you need geometrically more capacity. Where will you put it all? The logical answer is the cloud, but what does that do to your asset protection strategy? Learn how to secure your editorial environment to effectively enable cloud-scale workflows in both hybrid and cloud-native architectures, and allow editors to work from anywhere.
Joel Sloss, Senior Lead, Media & Entertainment – Security, Microsoft Azure
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4:30 – 5 p.m.
Trusted Partner Network: Year One
One year ago, here at NAB, The Motion Picture Association of America (MPAA), and the Content Delivery & Security Association (CDSA) launched a new industry-wide, content security initiative: The Trusted Partner Network (TPN), to elevate the security standards of the film & television industry’s production and distribution supply chain. TPN Board Members take the stage to provide a One-Year Update on how its site security program has progressed and what’s in store for securing core technologies for media & entertainment.
Guy Finley, Executive Director, Content Delivery & Security Association (CDSA) and Chief Executive Officer, Trusted Partner Network (TPN)
Kurt Fischer, Director, Content Security, Motion Picture Association of America (MPAA) and Chief Operating Officer, Trusted Partner Network (TPN)
Keith Ritlop, Chair, App & Cloud Subcommittee, TPN Technology & Development Advisory Committee
Ben Stanbury, Chairman, Content Delivery & Security Association (CDSA) and Chief Technology Officer, Trusted Partner Network (TPN)
Christopher Taylor, Director, M&E ISAC
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5 – 5:15 p.m.
Securing Film and Television Productions
The first Content & Cybersecurity Guidelines for protecting film & television productions against cyber and physical theft has been released by the Content Delivery and Security Association (CDSA), which contains everything every producer and crew member needs to know to secure their intellectual property on-set or on-location. The Guidelines were written by a Working Group of executives from Amazon Studios, Amblin Entertainment, AMC, Bad Robot, BBC, Fox, Paramount, Marvel, Netflix, NBCUniversal, Turner, Walt Disney, and Warner Bros., in cooperation with contributing members of the Producers Guild of America (PGA).
Lulu Zezza, Vice President/Treasurer, Content Delivery & Security Association (CDSA)
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5:15 – 5:30 p.m.
Reducing the Fog of Cyber Warfare
How incident response software within a secure central portal can enable you to capture, collate, analyze and convert volumes of information and data into actionable intelligence and evidence, helping your organization to respond, communicate and recover more effectively when managing security incidents in real time.
Janice Pearson, Vice President, Global Content Protection, Convergent Risks
Mathew Gilliat-Smith, Consultant and Advisor, Convergent Risks
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5:30 – 6 p.m.
CLOSING KEYNOTE: Is that Real? The Threat & Opportunity of Deep Fakes
Technology has the potential to topple the truth. And film & television companies are now facing a new era where Deep Fake images can bootleg a celebrity, news cast or even an entire movie, creating an unauthorized, artificial reality that is almost indiscernible to the untrained eye. How do content owners protect their talent, properties, and brands from being counterfeited in an era where the AI/graphics tools are more accessible than ever, and the distribution power is in everyone’s hands?
Nonny de la Peña, Founder & Chief Executive Officer, Emblematic Group and Award-Winning Filmmaker & Journalist
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6 – 7 p.m.
NETWORKING RECEPTION
