Film/TV

IMAX CEO Richard Gelfond points to ‘Spider-Man: No Way Home’ as proof that movies still belong in theaters—if they’re designed to merit the trip. ... More

Hosted via the Eluvio-Liquid Media blockchain framework, the original documentary film “Angst,” produced by iNDIEFLIX CEO Scilla Andreen and designed to raise awareness around ... More

The annual event, which was to be held in Park City, Utah, from Jan. 20-30, will take place virtually due to the omicron variant.... More

Using anticipation data from TV Time, the world’s largest tracking tool for TV and movies with 20 million registered users, Whip Media was able to get a look at the shows and mov... More

The Alteon team was asked to upload more than 40 years’ worth of award-winning, internationally produced footage from multiple Emmy Award–winning journalist Peter Greenberg to ... More

The past 12 months have seen significant change and disruption in the Media and Entertainment industry. Due to the impacts of the persistent COVID-19 pandemic, consumers are now mo... More

Broadcasters and TV Channel executives worldwide have been exploring ways to manage the complex issues associated with delivering high-dynamic-range (HDR) experiences across the wi... More

Premiere Digital and Windfall Films (part of the Argonon Group) announced January 18th 2022 as the official launch date of The Wall – Climb for Gold, a feature-length documentary... More

ZOO Digital has launched an industry-first online academic course in dubbing script adaptation. Part of its ZOO Academy initiative, the course has been co-developed by ZOO and the ... More

The Martin Scorsese Virtual Production Center will house studios and soundstages for training in cinematography and virtual production technology at the intersection of digital and... More

Dr. Volker Steinbiss addresses and challenges popular narratives surrounding the role of artificial intelligence and machine learning technologies inside the audiovisual translatio... More

Starting with the 2022 slate, most Universal Pictures, Focus Features, Illumination and DreamWorks Animation films will stream exclusively on Peacock following their theatrical pre... More

Take 1 CEO Louise Tapia discusses the company's work providing subtitle and localisation services to broadcasters and streaming services, as well as how it supports production comp... More

The COVID-19 variant is derailing press tours for projects like Netflix’s 'Don’t Look Up,' but 2022 organizers are forging on with in-person events.... More

ZOO Academy brings together a growing number of initiatives to proactively build long-term capacity in the localization talent pool. Academic teaching, practical training and acces... More

The rising popularity of virtual production in the media and entertainment industry, combined with its capabilities to create high definition visuals and real-time virtual environm... More

The old theatrical days are long over, where localisation service providers had months if not years to generate local language audio and subtitles prior to international exhibition... More

Amazon’s decision to buy MGM shows how serious it is about creating new, original content for Prime customers. Here’s what it means for the future of the streaming market, and ... More

We work in a creative industry. So much effort goes into creating content of the highest standard. Production teams finesse every word of their scripts, carefully cast actors and v... More

As part of the partnership, OTOY and Maxon will also be developing a native integration of Cinema 4D on the Render Network, providing a one-click solution for uploading to the Rend... More