Film/TV

Over the past few years, film and video standards have continued to evolve. There is a growing demand for higher fidelity imagery and resolutions to deliver a more immersive viewin... More

When Martin Scorsese signed with Netflix to make “The Irishman,” the star-studded epic scheduled to have its premiere on the opening night of the New York Film Festival next mo... More

Hollywood’s tech community needs to immediately work together on the future of software, hardware and new production workflows, warns a report released by nonprofit tech research... More

Just a few years ago streaming services didn’t even produce reality series, but this year Netflix landed five Emmy nominations in four reality/competition categories and sparked ... More

Netflix is making it easier to keep track of all of its new releases: The company is adding a new “Latest” section to its TV app that includes both listings of newly released t... More

UFC matches will return to FX – but not on a permanent basis. ESPN has been showing preliminary bouts to UFC pay-per-view events for the last while on ESPN and ESPN2, and then s... More

Facebook has further grown its suite of advertising products with the launch of a pair of tools designed specifically for cinema releases on the social network. Intended to help st... More

Scary Stories to Tell in The Dark, a horror film based on Alvin Schwartz’s popular generation-traumatizing book series – directed by André Øvredal and produced by Oscar-winni... More

NAGRA (Hall 1.C81) will be addressing the challenges across the entire content value chain – from content aggregation to service creation, content delivery to content consumption... More

From editing software to actual cameras, the streamer is driving manufacturers to innovate  — or risk losing its vast business.... More

Technicolor announces the addition of industry leader Steffen Wild to head its virtual production department. In this role, and reporting to Technicolor Pre-Production studio head... More

This fall's 'Gemini Man' and 'The Irishman' are just the tip of the iceberg for how studios will look to capitalize on de-aging VFX techniques... More

Technicolor has launched a new post-production studio in Adelaide, Australia. The group’s first Southern Hemisphere operation, operating under the Mill Film banner, is up and run... More

Media Shuttle is Signiant’s SaaS solution that makes it easy for people to send and share large files with speed, reliability and security. Its end-user UI or “portals” can b... More

The studio, which currently has a multiyear licensing deal with Epix, has moved from beyond its turnaround phase, Bob Bakish says. ... More

Unless you've been under a rock somewhere in the (melting) Arctic Circle, you know that streaming services like Netflix, Amazon and Hulu are about to get some very famous company. ... More

At a time when TV viewers have more power than ever to skip past commercials, Madison Avenue is acting like it’s the heyday of the Pillsbury Doughboy, Toucan Sam and Mr. Whipple.... More

Bitmax, the digital media management and licensing company, will be at IBC 2019 showcasing its Maestro content orchestration system. They will be meeting with content owners, distr... More

Technicolor’s MPC Film teamed up once again with director Jon Favreau to bring the beloved characters from another Disney classic back to the screen, in a whole new way. (more&he... More

The pay TV market is expected to surpass a 1.1 billion subscriber base in 2024, claims a new report. According to global tech market advisory firm ABI Research, while the increasin... More