M+E Connections

When discussing the future of storytelling in the media and entertainment (M&E) industry, experiences in augment reality (AR), virtual reality (VR) and the metaverse have to be... More

Digital rights management (DRM) is known to protect and encrypt content in order to deliver it to the device. DRM’s main purpose is to close the gaps in content protection strate... More

The Media & Entertainment Information Sharing Analysis Center (ME-ISAC) has launched a new member portal, and at its June 28 monthly meeting, Neal Dennis, a threat intelligence... More

The Hollywood Professional Association (HPA) is the premier community for production and post-production individuals, businesses and technologies. Each year at the legendary “wee... More

Virtual productions rely heavily on 3D assets and when a production company is shooting in volume, the assets that are rendered in real-time have to be just right. The process o... More

MESA’s Language LMT Metadata Table (LMT) Working Group is moving fast, with more languages being added to serve the media and entertainment (M&E) sector and beyond all the ti... More

For the foreseeable future, enterprises are going to be expected to make major investments in building and operating metaverses, either for their entire organization or for specifi... More

More than 90 percent of operational technology (OT) organisations worldwide have experienced some sort of cybersecurity intrusion over the past 12 months, and nearly 80 percent hav... More

At the 8th June Global Media & Entertainment Day, held at the Royal Garden Hotel in London and via the MESAverse virtual platform, Box’s Diego Dugatkin, SVP and chief product... More

The development of the metaverse means there is now a new realm for customer experience (CX) and, as experiences in media and entertainment change shape, customer relationships are... More

Following the late-February spin-off of Technicolor Creative Studios, the remaining Connected Home and physical disc services operations of Technicolor will re-brand into VANTIVA, ... More

The Language Metadata Table (LMT) will be featured in the latest edition of the Henry Stewart “Journal of Digital Media Management,” a quarterly, 100-plus-page peer-reviewed, p... More

Super Giant Robot Brothers is a fast-paced action-comedy show produced by Reel FX and coming soon to Netflix that uses virtual production and the Epic Games Unreal Engine from init... More

The 2022 Video Security Summit, industry’s only all-digital event dedicated specifically to piracy, is set for June 14, 7:30-11:30 a.m. PT, with a host of experts set to speak on... More

Epic Games is now incorporating its Unreal Engine more directly into not just post-production for visual effects but also the active filmmaking process, live broadcast and animatio... More

Media and entertainment consulting firm BB (Business Bureau) has debuted its latest “Multiscreens+ Platform Essentials” report, looking at the breakdown of new services that de... More

Although speed to market may determine who wins and who loses in today’s content wars, the frontend of the media supply chain remains mired in manual processes, stuck in physical... More

Technology that Vancouver-based Kaleidoco developed is taking augmented reality (AR) and mixed reality (MR) to a new level, according to Cassandra Rosenthal, the company’s co-fou... More

While worldwide demand for content and programming continues to grow, a shift in what content resonates with viewers in any given country is changing, according to Alisa Joseph, SV... More

During the June 8 Global Media & Entertainment Day at the Royal Garden Hotel in London — and online via the MESAverse platform — the team at Convergent Risks will give vendors ... More