M+E Europe Exclusive

For premium content providers, pay TV operators and telecommunications alike the pandemic has opened up all sorts of issues around how to successfully manage business and keep subs... More

The Society of Motion and Television Engineers (SMPTE), the leading standards governing body for media & entertainment engineering, today announced it has joined with the Media... More

Late last year, Andres Angelani, CEO of Cognizant Softvision, published the book “Transforming While Performing: How To Create A Culture of Innovation With Partners,” offering ... More

Back in 2017 the company that is synonymous with streaming had this then-odd idea of putting up the full season of shows all at once, allowing people to binge watch it all, instead... More

Starting off as a small localization facility geared toward a South American group of TV channels, Miami-based The Kitchen has grown into a global force, with a dozen dubbing facil... More

The new Audio Business Continuity Alliance (ABCA) is out to help organisations and artists who provide professional audio services overcome challenges that include the pandemic and... More

By Ryan Steelberg, President, Veritone - For today’s M&E companies, staying profitable is complicated by two intertwined phenomena: exploding consumer demand for personalized,... More

COVID-19 has only served to increase cloud adoption among media and entertainment organizations, according to Jon Finegold, chief marketing officer at file movement software compan... More

It's important that media and entertainment organisations' security initiatives keep pace with the needs of today’s distributed workforce and collaborative workflows, according t... More

For many years now, cinema admissions have been under pressure, with only the big-budget tentpole titles — films with a budget of $100-million or more — and animations accounti... More

The pandemic has resulted in more change — and more uncertainty — for the media and entertainment industry than perhaps any other modern challenges its ever faced before, accor... More

There’s a common theme among those companies that can be considered successful: they always have an eye toward — and a constant, internal conversation around — the future. Wh... More

While the cloud has absolutely become crucial to any remote workflow strategy in media and entertainment, should you also be using it for your high-capacity content-archiving stora... More

Now that audiences have become so fragmented and there is so much more competition than ever before for their screen time, grabbing a viewer’s attention — and keeping it — by... More

A collaboration of media and entertainment technology companies has added forensic watermarking, enabled by cloud services providers, to be utilized by the Academy Screening Room, ... More

Two months after the first of its recording facilities had to close due to the COVID-19 pandemic, Paris-based Eclair Versioning & Accessibility (Éclair V&A) has announced that all... More

When it comes to a media organization’s digital supply chain, scalability is one of the keys to success, according to Kunal Shah, VP of software engineering and architecture at S... More

Sony’s tech Tuesdays series continues, Darktrace discusses how to tackle modern SaaS security, and Box offers an in-depth look at secure content collaboration in the cloud. Th... More

More than two-dozen films were screened at the Chattanooga Film Festival in May, which filmmaker Q&A, screenwriters sharing their process, group sessions on story pitches, festival... More

During the recent Cybersecurity & Content Protection Summit (CCPS), BBC Studios’ Alex Pickering, content security director, and James Hurrell, head of content operations and loca... More